Hart Fisher Talks about Jeffrey Dahmer and the media circus

The infamous Jeffrey Dahmer comic probably got Hart a million dollars worth of publicity judging from all of the coverage and the lawsuits that resulted. This week he recounts how he dealt with all of the media attention along with the stress that must have resulted from the court cases.
By Hart Fisher

Hart on Larry King

Hart: For most people I’m sure the weight of the press, the condemnation, the stress of the lawsuits, sure, I think it would have crushed most people. But they’re not me and what you think of as being stressful… you don’t know the half of it. Play that old Who song “Behind Blue Eyes” and that’s exactly what it was like during the storm. I was living in Champaign Illinois. This was a small college town. People saw me on the news all the time. I had death threats all the time. Written and phoned in. I had a woman stalker who was threatening to have her biker friends kidnap me and a gay stalker that lived in town. He started stalking me after meeting me at a goth club called “C Street”. He used to tell me it would be a shame for my pretty face to get uglied up like his. I’d grunt, laugh, tell’em “Yep, sure would be a shame.”
Dahmer comic Hart Fisher Talks about Jeffrey Dahmer and the media circus

There was the copy shop I did all my fliers and promo stuff at that stopped doing business with “my type of person.” There was the the protest march where the police came to my house and told me to leave town for the weekend. My landlord echoed those sentiments, but these colors don’t run. There was the time in 1993 right before shooting The Garbage Man, I was in Los Angeles for a big Fangoria convention. While I was gone, the news outlets in town were all broadcasting that I was out of town. Gee, wasn’t long before someone robbed my house. A camera crew from CBS came to my house and found the front door kicked in and all of my stuff gone, like, all of it. Six months before that a bunch of Junkies robbed my house.

When I did talk shows, I was the villain. When I did my first talk show appearance, it was stunning the level of hate directed at me by total strangers when I walked out on that stage. I was 23 years old when the press came gunning for me over the Dahmer book. I was naive. I learned so much about the manipulation of truth by the mass media, or news as commodity. I got my clock cleaned the first six months of it. I was getting killed on Entertainment Tonight. At first I thought it was fun. The camera crew would come out, shoot at my house, or I would do the interviews at my father’s house. It was a brutal learning experience. They would ask me questions, and then re edit my answers. They would match up the answer to one question with another.

Hart Fisher on DAYONE

That did not occur to me and it was embarrassing the first couple of hatchet jobs. I went to my father when it first hit and I had an appearance on A Closer Look With Faith Daniels. That was the last time I ever asked him for advice on dealing with the media. I went on the show with my hair slicked back, wearing a fucking suit… it was horrible. I thought doing the talk show format would be better because they couldn’t re edit my responses. I was never paid to appear on ANY of the shows I did. They brought me on the shows to be the villain. That was my role. But I saw these talk show exchanges as verbal combat and I prepared myself accordingly.

At this point in my life, I had been training in Tae Kwan Doe for four years and took that training to the shows. After the Faith Daniels debacle I sat down with the sharpest guys I knew and we sat in a room and picked apart my appearance. We watched the show a couple times and brutalized myself. Then we formulated a plan on how to manipulate them all to do what we wanted. The protest march on my house? We baited them into doing it on the Sally Jesse Raphael show. We plotted all of their tired arguments that held no water and just shot the shit out of them. I turned the audience around so much on my Jerry Springer appearance that they turned the volume down on the audience applause to my answers when they aired it.

When my girlfriend, Michelle, was murdered during shooting of The Garbage Man… that was what fucked me up. I was handling all of the press, best I could. To me, it was just another fight in the ring in a lifetime of fighting. That’s all it was to me. But when Michelle was murdered, the wheels came off and I went nuts. I was a functioning maniac. LIterally. I drank myself to sleep every night and fell apart. I gave my guns away to my friends because I couldn’t trust myself around them. I went insane and the press pushed it further. In Champaign, this whole thing was a rating bonanza. Michelle was raped and murdered at the Charter House Inn by a 20 year old Black Male named Eric Daniels. My horror film was about a black serial killer obessed with killing white women. Strange, right? The media loved it and the news got ugly.
garbage man banner Hart Fisher Talks about Jeffrey Dahmer and the media circus

And I have been a take no shit kind of guy my whole life. I don’t back down unless it’s stupid to fight. Now I was an enraged, hurting, highly aggressive anger sorrow machine. Now if the media fucked with me, I bumped dicks right back. I stormed into the studio’s of the local CBS affiliate and threatened to maim the news director if he didn’t make some changes in his coverage. That earned me a stop over from the police. They talked to me, said there were plenty of people who wished they could kill the news director. I laughed about that and told them I never threatened to kill the guy, I threatened to have him maimed. I told them he didn’t anger me enough to kill him. They really didn’t know how to take that, but that cocksucker changed his news broadcast so her mother would not have to see what they were broadcasting again.

After 1993, things get blurry and really, really ugly. I sought out good times, good laughs, good people, and raised as much hell as I could. I was angry, so goddamn angry. I still am. And it didn’t end. I went through 3 different murder trials trying to keep that piece of shit off the street. This is what made me crazy. Forget about the stress of news coverage. I could write a fucking novel and you still wouldn’t quite know the weight of it all. From 1993 to 1994, crazy, crazy, crazy.

Still with us? There’ll be more next week. It’s just as crazy.
In the meantime you can find out more about Hart on his MySpace page, his company page,
Crime Pays Inc., his comic company Boneyard Press and his You Tube Channel

Hart Fisher Tells us Crazy Stories About the Boneyard Days

By Hart D. Fisher

new outlaw Hart Fisher Tells us Crazy Stories About the Boneyard Days

Some of my favorite memories during the 1991-94 era of Boneyard Press.

You know, for all the destruction and heartbreak behind the scenes I’ve been revealing, there were also so many great times. I miss all of my friends back in Champaign, so many to even begin listing off (Eric, Dave, Tom, the whole Third Stone crew, Daga Dan, fuck, so many great guys back there).

The “Welcome to the Nation Motherfucker” photo shoot was a full on blast. I had all the thugs come over to my place by the railroad tracks with their favorite toys and we did a full photo shoot barbecue Chevy rodeo. We were drinking, riding the hood of Johnny’ G’s big ass beater around the dirt, being full on knuckle draggers, grilling up steaks.

There was one guy just walking by and when he saw all of the guns, assault rifles, us, shit man, he just ducked his head down, staring at the ground in front of his feet as he walked. You know he was just thinking “don’t look, don’t look, just don’t make eye contact.” God that makes me laugh.

There was a time a buddy of ours, I called him Chemo for his fucked up hair cut, and it was his birthday. He gave himself up to us blindfolded. I mean, he was nervous, but he gave himself up to whatever we had planned and we were fucking with him in the car so bad. I’ve got it all on videotape. I’m planning on posting it on my YouTube channel.

The best is when we got to my buddy Nick’s tattoo shop (Mark of Cain), and Nick’s just revving his gun. rrrrrRRRRNNNNNN. rrrrrRRRNNN. While we laughed and laughed, Chemo’s just shitting his big black boots. It was a hoot. He didn’t take the blindfold off until the tattoo was done either. That’s trust and some will their man,

mark of cain tattoos Hart Fisher Tells us Crazy Stories About the Boneyard Days

I loved the bunker comradery that comes with intense life and death situations that were a regular part of my life then. I was a bouncer at a Rock Club in town (Mabel’s) and working there, that could lead to a sucker punch in the mouth from behind to a knife fight on Halloween night. For a couple of years there was a gang problem in town. It was an initiation for the black gangsters to group up and put a white guy in the hospital. It got so bad that the police posted officers on the rooftops downtown with binoculars. I almost got jumped by nine guys in front of the bar one night but I faced them down until the cops showed up.

It was a crazy time, like living through a war. My friends were dying in gunfights, drug overdoses, suicides, fucking brutal, but when we were all together, none of that shit mattered. You drank, you celebrated life with your friends. You clung to whatever ray of sunshine there was because that’s all you had.

I was very poor through ’93 and ’94. There was a time where I was literally fed by my friends who worked at places like Lox, Stock and Bagel. When the manager would go out, I’d slide in, get a big lunch, then take home the old bagels and cream cheese for me and my dogs. I was an insane broke motherfucker with absolutely nothing to lose. When I found out that I had lost my first court case with the Dahmer people because my cocksucking lawyer didn’t show up, I literally put my head through my bedroom door.

When I found out from the police that Michelle had been raped before she died, I ripped the new bedroom door apart with my bar hands then rampaged through the whole house in an incoherent rage. My friend Eric was sitting in my easy chair when it happened, when I came out of my rage and saw him in the chair, his face was white.

“I wish I never saw that.” Was all he’s ever said of it.

renfro suicide Hart Fisher Tells us Crazy Stories About the Boneyard Days

SUICIDE – Pencils: David Brewer – Inks: RENFRO

I was a wreck and my friends got me through it. My mother was alienated and repulsed by this new person her son had become. My family was up in Chicago and they were kidding themselves about my mental state. But all the locals in town, the metal heads, the people the college kids looked down on, those were the motherfuckers that had my back rain or shine.

The local metal bands, the wrestling fans, the bikers, the bouncers, they came out in support of me when no one else would. When I was at a bar there was always a drink in my hand from a friend. When someone came to town and needed a place to stay they crashed at my place or me theirs. There were many black nights and I had many friends to walk me through them. My friends and the poetry are what kept me alive. I miss them.

hart fisher rush limbaugh md Hart Fisher Tells us Crazy Stories About the Boneyard Days

I was the first person to publish Dimitrios Patelis in America, an immensely talented Greek artist who I clicked with right away even through he drove everybody else nuts with his confidence in his art. Dimitri was living in Chicago alone, he’d just split from his chick, and he was working at a Harold’s Fried Chicken shack. I knew his birthday was coming up and she’d just come over and taken their stereo so he had no tunes.

No more banging chicks in the ass to Zodiac Mindwarp? Fuck, I couldn’t let my little buddy go down like that. I bought him a big ass boom box and sent it up to him at work just in time for his birthday. The phone call I got from him when he got it, yeah, that was a good day.

I loved getting to work with my heroes in the business. I loved working with hungry new talent like Guy Burwell or Duncan Rouleau, Albert Holaso, William Harms, Eric Perukin, Lance Polin, Stephen Elliot, Dimitri Patelis, Brad Moore, Kyle Hotz, Mark Beachum, Nelson Danielson, Will at Avatar, Wayne Allen Sallee (I don’t get to see him often, but I love this guy like a brother), Vincent Locke, That maniac Buzz and his troll buddy Nelson, Garry Way (another young thug I’m proud as fuck of, and you guessed it, I published him first. His last album with My Chemical Romance, The Black Parade, it really helped me get through some tough moments last year during my wife’s chemo therapy and that’s saying something. Next time I see this kid, I owe him a big fuckin’ hug.), Big B Mark Bernal who walked me through the comic business, Carol B (who helped me start the company), I mean, so many fucking people and so many good times,

Facing down the cops and all of those protesting assholes at the Dahmer cue, that was a shining moment. It was supposed to be a bloodbath with the KKK in full strength, the cops asked me to get out of town that weekend. I hate the fucking KKK so I wasn’t going anywhere. Third Stone played, I had all of my friends backing me, a keg, free watermelon for everyone, yeah, that was a great day.

The conventions and the fans. I love the conventions and the fans. For every douche bag comment in the press or on television, there’s been ten fans who’ve come up quietly to tell me how my work affected their lives, got them through bad times. That carries me a long way. The fact that I turned my idols in comics into friends of mine, to go from reading Cry For Dawn Hart Fisher Tells us Crazy Stories About the Boneyard Days with your Cheerios in the morning, to leading a blind Joe Monks through the back alley barrooms of Mexico City at 2 in the morning..that’s a heavy thing. It’s a beautiful thing that brings me comfort when it’s cold inside.
-hdf

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